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Matthew London |
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Talkies
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Talkies It
was the night
of the premier of The Jazz Singer.
Forty-five men and women attended the theater. Fredrick Butterson was
there.
Annette St. James was there. Mary Benstein was there. The rest of the
town was
there. Everyone wore their best clothes, even the people in the back.
The film
began to play, and the actors began to speak. People in the front row
looked
behind themselves. People in the back of the theater accused the
viewers in the
front of talking during the movie. One man threw his tobacco from his
chew down
on the heads of the audience in the front. When the commotion was heard
outside, the ushers came in and turned on the lights. The movie reel
was
stopped. All the accusations were leveled at all the parties, and the
theater
employees assured everyone that none of the audience members were
talking. The
film resumed as the lights faded. People gave the film another chance,
and each
other. A lady in the middle of the audience screamed. She realized the
voices
were coming from the screen. Her courter sprang from his seat and drew
a 5”
blade, and, charging the screen, plunged the knife into the silver
sheet,
crying and laughing bubbles. The voices in the film did not stop, did
not
change, did not acknowledge the stabbing. Others in the crowd started
to wail
and cry. Someone shouted End it, End the
experience. By now, the while audience surged around their
chairs and tore
at the screen with their fingernails and teeth. They shredded and
soaked the
screen with tears and drool until the movie projector clicked after the
credits
rolled. The lights came on. The men and women of the town straightened
their
clothes, wiped their mouths, and exited the theater in single file. Of
the
show, one woman remarked I don’t think
I’ve ever seen anything quite like it. There was such atmosphere,
wasn’t there.
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