|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Patricia Lockwood
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
There Is a Growing Movement, They Have Introduced a Motion
To reintroduce wolves to Fontanelle, Iowa. According to the minutes of the meeting, “Our landscape needs a few layers of finish, let us welcome these brain-eaters and their oniony breath.” It is a town of hilly women,
a town of arc welding men, and the babies born to them are pure, digest appleness alone, sweat what—perfect children, with never more than one highlight in each eye. “Prepare your young ones
this way: say to your daughters, they will make a window into you; say my brave sons, my lion-faced doorknockers, you are between the wolf and what he wants.” The wolves in question are Russian, they scoop caviar straight out of women and girls; they are literate, they are current,
they grayly advance in column inches. “We are prepared— though we have no town surgeon, our bookbinder has seen everything, he is calm and self-possessed. Even the land is ready. Let our hills erupt with gooseflesh, and let our hills horripilate with sweet and panic grass.”
There the minutes begin to disintegrate, and read, “Enter a wolf with a firstborn, while his masterminding mother screams: My son, my subheading! I see they have gnawed off your hands and feet. My slippery, my unreadable sans- serif! Where does it hurt, my baby? My dimensionality… again, the infant groans, then topples, falls flat on his faces. Steppes wherever we go, shriek the wolves, and descend.”
The Murder of a Man Who Took Weak Science for a Wife
According to the custom of our backwards country, we became engaged as newborns and married with our first words. “Moo goes cow,” she gurgled, and I fervently responded, “Come live as a cud in my cheek, wife.” “Woof goes dog!” she continued. “Indeed. Come live in my land and become like my land, full and voluptuous as rabies foam.” “Glub goes fish!” she finished. “Let me swim inside you,
famine belly—at last you are large enough to be worth feeding.” It was, I saw, my duty to teach her. First lesson: the fat of the land. “The earth is round as a pig professor, and crackling with intelligence.” She shook her head, suddenly fluent. “No, the earth is flat as a pie graph, and green with percentages of grass.” I mourned for a moment the disappearance of her pink preverbality, but still I stood my ground. “The earth is round,” I repeated. “Round as a hurtleberry, and round as a superfatted soap.” “Flat as a lemon battery,” she countered, “and shallow as a surfactant, Sir.” “Pretty painting,”
I said, “with all respect, the invention of perspective comes late to you. Observe your world and understand me.” “Respect my beliefs,” she pleaded. “You marginalize me worse than the eyelid of a popeye.” “Now you begin to repent,” I shouted and slapped my stomach. “Oh, wife! Send a knife between my flabby obliques and see how deep the world goes. Send a knife into the bowels of this pellet- dropping creature and see how round the earth is.” “I will,” she cried, and mortally stabbed me. “I forgive you,” I croaked, “for deep in the sea, the sword and the scabbardfish love each other.”
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Patricia Lockwood’s poems have appeared or are forthcoming in American Letters & Commentary, Boston Review, Cincinnati Review, The Journal, Quarterly West, The Virginia Quarterly Review, Witness, and other magazines. She lives in Savannah.
|
|
|
|
|
|
|
|
|
|
|