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Chris Holdaway |
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Deep Unkind |
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Deep Unkind |
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Collapse colony! This is the lavish curse of travelling In arteries. On sea acres, Ulysses, wearing a wire
but Grafted to a mast of
ivory that might Still drip with
elephant’s blood, and this is What’s necessary to
stop him turning To one of those
ambulance-chasing attorneys. To the very very edge
of biodiversity! with our understanding Unlikely to
survive;—locomotion eating breathing guillotine To unfettered neck. .
. .perforated Animals & Lazarus
taxa. We high-risk-reward Organisms vs. we discrete Ark-makers Of insect backyards,
and bugs & their deaths are on The ship’s
manifest. Look at you killing What I killed, while
critical of a world sans bugs—that does not compute comes closer & closer to —. Thought it
was tautological to speak Of elegiac elegy But of course . . .
Cirrhotic gauze of the air warmed Against death— the way immolation
refrigerates. How long To wait before the
gristle in crap food Becomes oil; before
fluctuations in a metric produce A new big bang that
crawls across Our cities like
glaciers? The monument to time
shouldn’t Pass, arches crumbling
perfect -ly in tune today,
repackaging the cultivated Holocene from the
corners of grey afternoons. Drink
four cups Of card pulp through
your slurping eyes, your carbon Filters; take a leap
rather than poison, and stick around if only To keep me From hurting myself. I’d
rather we evolve Drawn, two-dimensional
without space for internal organs but Our desires are for
synthetic biology as needy and fragile and Poorly suited to
transport by miniature Earth As us. If flesh is going to be inorganic it
better Have all the analogue
fretfulness. . . .magnetic nature allure electric & homely
artifice. And what about inorganic
extinction? Species counting Species while it’s
happening when Species of landscape
question mark? Inveritable Invertebrates we
imagine This light pleads. Deaf actors in hydrocarbon poetry.
* * *
Walked through the bottled world—historic building —mountains on string like Beads Trench beginnings and this is the end says The inexorable face of
capital. Our regression pose Accelerates just the
reins : Not the horse, not the
cart, nor even the logic Which animates
it. More cars on the roads than
ever Which is pretty awful,
but also more satellites In the sky which is
kind of awesome before The weight of it all
collapses Into a new celestial
body of space junk. There’s no more Comforting
contribution to the environment Than a drive at night Behind radio
technicolour Windscreens and I
wonder how long Until they can
literally—as they say—enforce Vehicle speed with
blasts Of radar waves. The
global con -flict has to find
some way to make itself felt In times of “total
peace”—with all The paramilitary,
extrajudiciary, & plain antimatter Everything is disappearing
in “total mobilisation”. The whole of
agriculture can be found as one Fossil deep beneath
the grid, devised to dry up, With the prosthetic
hand of nature. I built my house On the concrete lips
of dams that can be seen from space High above stone as
well as sand—: the oceans will not rise At the same rate
across Earth even as they climb Enough to feel what is meant by “the sky lowering”.
* * *
God or just sediment
of broken glass? Stuffed three feet Tall casting three
more in shadow, the customary Taxidermy &
garden-variety darkness of our oily bodies. The failure to have
remarkable properties is supposed To make us more
resilient, right? To trickle Down like spinal
fluid. The loosest tendencies The sturdiest : a man,
a tree, & an axe are a system Melted into a pool of
frayed and exposed Wires. Featherless survival. Who’s trying To design birds With enough plastic in
their systems to shrug Off oilspills like
water off a duck’s back? Now Real biology is the
undead, and our modern understanding Has removed the
barrier to thinking of them as untapped Mineral resource. Dreams of a giant Glomar Explorer -style magnet that
rips oil through pores in the ground like Hair follicles. . .
.every so often we need To come up with
something that might ignite the entire Atmosphere—light light
on fire—to achieve An oven over a
thousand times more Radical than anything
currently on the market. Am
I walking fast enough for the bugs To get caught in the
slipstream vortex such that my face Drags them along with
me? Or left Waiting for the kind
of Spring day that makes me suspicious Of when I can’t tell
the difference between Long, high, stratus
clouds & dispersed chemtrails —I mean contrails. I’m positing time as
just the Higgs Field for consciousness. It works like wading Through tall grass and
collecting hooked & spiked Seeds as a fullbody
crown-of-thorns; or sailing Through full-scale
plastic soup In oceans discovering
white mass -es in therapy for the
inconceivably foreign 15th-Century
traveller’s isolation. Ah you Temperate trash
striving for a famous rubbish dump In the subtropics; a
household name or at least A tourist
destination. The 3,000 odd weeks I’m expected to live
cannot approach even the smallest Plastic bag’s hundreds
of years. Yet in fickle memories of A school experiment a
single drop of blood is all It takes to turn a
glass of water entirely red. I
think The implication is we
have more than enough people To make the oceans
truly boil . . . I’m always supposed to look Like I haven’t slept
for two-or-three days and We’re supposed to
hover like splinters in the air On your doorstep as
though it were a meridian and Have this whole
back-&-forth over whether it’s true —whether I want it to
be; whether you should feel sorry for me—or
if I should Just give it a
rest. It’s kind of hard to believe
in Kindheartedness yet
here I am Without you. Tricked and tickled by consolidated
loans On peril, as if the
best we could hope for were so much That even undoing appears at risk of extinction. |
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